Taboan: The Philippine International Writers Festival 2009
11 to 13 FEBRUARY 2009
University of the Philippines Diliman (Feb 11)
Ateneo de Manila University (Feb 12)
Cubao Expo (Feb 13)
DAY 1 | FEBRUARY 11, WEDNESDAY
9:00AM | OPENING PROGRAM
Venue: Pulungang Claro M. Recto, Bulwagang Rizal
Welcome Remarks
• UP Diliman Chancellor Sergio S. Cao
• NCCA Chair Vilma L. Labrador
• Festival Director Ricardo M. de Ungria
• Festival Coordinator Jose Y. Dalisay, Jr.
PHILIPPINE LITERATURE TODAY. The keynote address, a synoptic overview of where we’ve been and where we are, taking into account our literature in Filipino, English, and the regional languages; Philippine literature in the 21st century; and Philippine literature in the Asian and global context. To be delivered by National Artist Francisco Sionil Jose.
Venue: Pulungang Claro M. Recto, Bulwagang Rizal, UPD
9:45AM | A TRIBUTE TO EDITH TIEMPO. The tribute to National Artist Edith L. Tiempo is a short poetry reading by Merlie Alunan, Dinah Roma, and Ronald Baytan, who all attended the Dumaguete National Workshop and have been influenced by Tiempo’s poetics. To date, Edith Tiempo is the sole woman National Artist for Literature.
Moderator: Marjorie Evasco
Venue: Pulungang Claro M. Recto, Bulwagang Rizal, UPD
10:30AM | GANITO KAMI NOON: WRITING THROUGH THE DECADES. A plenary panel discussion to set the tone for all other panel discussions. A representative each from the 50s, 60s, 70s, 80s, and 90s can talk about the conditions for writing and publishing in their eras and how things have changed, or maybe not. And where do we go from here?
Panelists: Elmer Ordonez (1950s), National Artist Virgilio S. Almario (1960s), José Pete Lacaba (1970s), Marjorie Evasco (1980s), Angelo Lacuesta (1990s)
Moderator: José Y. Dalisay, Jr.
Pulungang Claro M. Recto, Bulwagang Rizal, UPD
1:30PM | ICONS OF THE NEW CENTURY: WRITERS WHOM WRITERS READ. Who are you reading and why? Who's your literary daddy (or mommy)? A discussion of literary influences and how they are shaping contemporary Philippine literature.
Panelists: Rebecca Añonuevo, Franklin Cimatu, Carlos Cortes, Francis Macansantos, Katrina Tuvera
Moderator: Gémino H. Abad
Venue: CAL New Building (CNB), Room 508
WRITING FOR A LIVING. What's writing like as a profession in the Philippines? What writing jobs pay, and how can writers get them? How should writers deal with writing commissions? What about copyrights and contracts? How do we break into the global market and find and deal with agents?
Panelists: Vietnamese writer Nguyen Bao Chan, Tony Enriquez, Kragi Garcia, Luis Katigbak, Charlson Ong, Alfred Yuson
Moderator: José Y. Dalisay, Jr.
Venue: CAL-AVR, 2/F Bulwagang Rizal, UPD
THE CREATIVE WRITING CLASSROOM. The teaching of creative writing, for the teachers among us: challenges, strategies, approaches, tips and tricks in the creative writing classroom.
Penelists: Merlie Alunan, Conchitina Cruz, Jun Cruz Reyes, Macario Tiu, Ricardo de Ungria
Moderator: Cristina Pantoja Hidalgo
Venue: CNB Inquirer Room 201
WORKSHOPPING THE WORKSHOP, ORGANIZING WRITERS. A review of the Dumaguete, Baguio, and Iligan workshops, plus maybe the biggest school-based ones, and how they grew. A sharing of best practices, as well as a discussion of common problems and situations. This panel can also deal with writers’ organizations, centers, institutes, and programs.
Panelists: Vicente Groyon III, Christine Godinez-Ortega, V.E. Carmelo D. Nadera Jr., Benilda Santos, Anthony Tan
Moderator: Lito Zulueta
Venue: CNB Rm 309
3:30 PM | WRITING OFF-CENTER: THE REGIONAL EXPERIENCE. How goes creative writing and literary publishing outside of Metro Manila? Have new centers of literary activity emerged, and what are the keys to their success? What does it take to promote writing from the regions to broader audiences?
Panelists: John Bengan, Jose Jason Chancoco, Rey Duque, David Genotiva, Alice Tan-Gonzales
Moderator: Ricardo de Ungria
Venue: CNB Inquirer Room 201
ATBP: WRITING OFF THE MAINSTREAM. Gay/lesbian literature, chick lit, "spec fic", Chinoy lit , and all that jazz. What alternatives exist to straight, realist, mainstream lit? Is this kind of "pigeonholing" good or bad—or, when is it good, and when is it bad?
Panelists: Dean Francis Alfar, Jhoanna Cruz, J. Neil C. Garcia, Jaime An Lim, Tara FT. Sering
Moderator: Danton Remoto
Venue: CNB Room 309
FILIPINO-NESS IN THE GLOBAL AGE. A perennial hot topic in the blogosphere. How can "Filipino-ness" be defined? Is it an absolute necessity in this age of globalization? Is "nation" even a relevant concept? How can this be manifested in a literary work? Why don’t we seem to see enough of such central elements of Filipino life as crime, sex, and humor in our literature, or is that only in English?
Panelists: Efren Abueg, Leoncio Deriada, Cristina Pantoja Hidalgo, Resil Mojares, Timothy Montes
Moderator: Isagani R. Cruz
Venue: CAL-AVR
DAY 2, FEBRUARY 12, THURSDAY
Ateneo de Manila University
Katipunan Avenue, Loyola Heights, Quezon City
9:00AM | PLENARY
Venue: Leong Hall Auditorium
Program
• Opening Remarks, Prof. Ricardo de Ungria, Commissioner for the Arts, NCCA
• Welcome Address, Dr. Ma. Luz Vilches, Dean of the School of Humanities
• Message, Dr. Antonette Palma-Angeles, Academic Vice-President, AdMU
• A Concise History of 150 Years of Ateneo Writing
• Open Forum
• Tribute Proper
• Screen Presentation on Emmanuel S. Torres and Reading of Citation
• Screen Presentation on Gregorio C. Brillantes and Reading of Citation
• Response of the Honorees
• Closing Remarks, Dr. Ma. Luisa Torres Reyes, Chair, Dept. of English
1:00PM |ATENEO GALLERY AND LIBRARY TOUR
2:00PM | PARALLEL SESSIONS
THE POET-CRITIC. The issue of how art and criticism interface has been a central topic even in the creative writing curricula of top universities worldwide. Whether our writers have found the interface uneasy or comfortable, consciously or unconsciously, it has shaped the craft and aesthetics of generations of authors in the Philippines.
Panelists: Gemino H. Abad, Exie Abola, J. Neil Garcia, Allan Popa, Jun Cruz Reyes, and Thai fictionist/screenwriter Prabda Yoon
Moderator: D(anilo) Francisco (M) Reyes
Venue: Social Science Conference Rooms 1 & 2
TEXT AND CONTEXT. The encounter between art and politics, writing and ideology, or aesthetics and social engagement, has been a significant consideration in countries like the Philippines as it has been said to make for bad writing and good politics/bad politics and good writing. Thus, these binary categories have been considered mutually exclusive practices by some writers, but deemed mutually constitutive commitments by writers.
Panelists: Isagani R. Cruz, National Artist Bienvenido Lumbera, Danton Remoto, Roland Tolentino
Moderator: Oscar Campomanes
Venue: Social Science Conference Rooms 3 & 4
PUBLISHING FOR THE FUTURE. No literature can prosper without publishing, but publishing itself is taking on new forms and challenges in this new century, such as online publishing and print on demand. What directions will Philippine literary publishing and Philippine literature itself take in the foreseeable future? What can the Philippine academic and commercial publishers do to promote literature here and abroad? Are there alternatives to mainstream publishing that can be explored, and can they be commercially viable?
Panelists: Karina Bolasco, Adam David, Antonio Hidalgo, Esther Pacheco
Moderator: Maricor Baytion
Venue: NGF Conference Rm, G/F De La Costa Hall
4:00PM | PARALLEL SESSIONS
FEMINISM IN OUR MIDST. The question of how women writers write under conditions quite distinct from men writers has been a source of dynamism and controversy in both their works and the criticism on their work. This has been a point of contention in recent literary history as some women writers organize themselves as women writers, weaving literature and sharing life.
Panelists: Rica Bolipata-Santos, Cristina Pantoja Hidalgo, Priscilla Macansantos, Aida F. Santos, Dinah Roma-Sianturi, Hope Yu
Moderator: Benilda Santos
Venue: Social Science Conference Rooms 1 & 2
LITERATURE IN ACTION. Non-canonical texts abound in contexts like the Philippines in which literature’s energies come from places quite apart from "Literature." Foremost among this type of literary production is the whole range of performative practices which create cultural "events" as opposed to literary "art." Most prominent examples of this range from avant-garde forms to so-called "agit-prop" art in which visual and/or performance artists and educational and community theater groups like PETA have been making a splash in the international art and academic scene since the 80s and 90s.
Panelists: Michael Coroza, Steven Patrick Fernandez, Servando Halili, Bonifacio Ilagan, Glenn Mas
Moderator: Gary Devilles
Venue: Social Science Conference Rooms 3 & 4
CHILDREN’S LITERATURE. In the Philippines, it has been said that the reading fare of Filipino children continues to be dominated by children’s literature from the West, as evidenced by the children's books usually on display in major book shops. Nevertheless, it can be argued that for decades now, significant headway has been made in providing alternative reading materials for Filipino children by publishing houses like Aklat Adarna and noted Filipino authors and published locally in English, Filipino and other Philippine languages. What genres have been developed in children’s literature by Filipinos? Are these genres a mere imitation of the western models? Has the production been enough to begin to draw up a canon of children’s literature in the Philippines? What has been the impact of children's literature on the readers? What role must children's literature play in the Philippines?
Panelists: Cyan Abad-Jugo, Christine Bellen, Jean Lee Patindol, Ramon V. Sunico
Moderator: Jerry Respeto
Venue: NGF Conference Room, G/F De La Costa Hall
5:00PM | DINNER
Venue: Leong Hall Roof Deck
• Closing Remarks, Dr. Assunta Cuyegkeng, Vice President, Ateneo de Manila Univeristy-Loyola Schools
DAY 3, FEBRUARY 13, FRIDAY
Cubao X, Araneta Center, Cubao, Quezon City
9:30AM | PLENARY
Venue: Cubao X
Hosts: Angelo R. Lacuesta, Festival Coordinator; Joel Toledo, Festival Assistant Coordinator
10:00PM | PARALLEL SESSIONS
HOME, ROAM, AND AWAY. Publishing locally versus publishing abroad. How does place of publication—or place of writing—affect or define your audience, or your career or your work? This should also function as a guide for those who seek international publication: what are the challenges and what are the chances?
Panelists: Vicente G. Groyon III, Mookie Katigbak
Moderator: Lourd Ernest De Veyra
Venue: Mogwai 2
THE END OF PRINT. Web-based publishing, traditional print publishing, and print-on-demand: the meaning of publication has multiplied so much these days. Has the meaning of quality, or rigor, or intent changed as well? How has this affected today’s writer? Has he (or must he) achieve convergence, or should there be dividing lines?
Panelists: Roberto Añonuevo, Adam David, Jean Claire Dy, Luis Katigbak, Edgar Samar
Moderator: Dean Francis Alfar
Venue: Pablo
WRITE TO LIFE. Writing to live, or living to write? Many literary writers have commercial writing careers—but what about other lines of work? And what of the lines that divide work and writing? This discussion covers all sorts of jobs writers must take—and the amount of confrontation and compromise writers must endure. It will also cover tips and tricks to avoid burnout and “multitasking hell.”
Panelists: Josua Cabrera, Dominique Cimafranca, Mikael de Lara Co, Ramil Gulle, Victor Dennis T. Nierva
Moderator: Frank Cimatu
Venue: Kolektib 1
LINGO NG WIKA. Language and authenticity in Philippine literary practice—it’s an old argument. So should we be done with it, then? Or shouldn’t we? (This conversation covers all Filipino languages.)
Panelists: Genevieve Asenjo, John Barrios, Jaime Jesus Borlagdan, Jose Jason Changcoco, Jason Laxamana, Glen Mas, Voltaire Oyzon, John Iremil Teodoro
Moderator: Rica Bolipata-Santos
Venue: Kolektib 2
GLOBAL WARMING. A plenary discussion over lunch featuring Asian and Filipino writers who have gone “global.” Our international panelists will discuss the challenges and rewards of writing in their local language and still achieving international recognition and popularity. The panel will also discuss practical tips on international grants, fellowships and exchange programs.
Panelists: Nguyan Bao Chan, Conchitina Cruz, Dinah Roma-Sianturi, Prabda Yoon
Moderator: Angelo R. Lacuesta
2:00PM | PARALLEL SESSIONS
PURO FORMA. The formal versus the experimental in poetry—is there a conflict? Young poets discuss the issues (and, inevitably, the non-issues) that abound.
Panelists: Michael Coroza, Conchitina Cruz, J. Neil C. Garcia, Mookie Katigbak, Angelo Suarez
Moderator: Allan Popa
Venue: Mogwai 2
MOVING UP IN THE WORD. Building the literary career—does it still have the same requirements as ten years ago, or are there new ways to get that break? Is the PalancaTM Award still the quickest path to writerhood? Or is that old-school thinking? What’s a literary career anyway?
Panelists: Efmer Agustin, Janice Bagawi, Arifah Jamil, Junley Lazaga, Leonila Lopido, Monica Macansantos, Harold Mercurio
Moderator: Mikael Co
Venue: Pablo
FICTIONAL SHOWDOWN. This is a friendly showdown between the realms speculative fiction and “non-speculative” fiction—its advocates, practitioners and its subject matter. Also up for discussion: attempted definitions, blurred boundaries and common goals.
Panelists: Dean Francis Alfar, Adam David, Jonathan J. Siason, Alvin B. Yapan, Prabda Yoon
Moderator: Ian Casocot
Venue: Kolektib 1
4:00PM | PARALLEL SESSIONS
ALL ABOUT MY OTHER. The I versus “otherness” in poetry: how do they figure in your work? Insights, questions, problems and answers on this mind-boggling topic.
Panelists: Ronald Baytan, Kristian S. Cordero, Conchitina Cruz, Larry Ypil
Moderators: Carlomar Daoana, Dinah Roma-Sianturi
Venue: Mogwai 2
UNSCRIPTED. Playwrights, screenwriters and writers in general discuss the difficulties of writing for the stage and screen—from the issue (or non-issue) of language and the challenges of the craft, to the long road to production and the burden of having to win the audience.
Panelists: Jhoanna Cruz, Glen Mas, John Iremil Teodoro
Moderator: Jun Lana
Venue: Pablo
THE YOUNG AND THE LITLESS. Is the Filipino youth worth writing for? In the age of the Internet and digital home entertainment, Filipino children and young adults have so much to see, hear and read—without having to open a book. How does this affect the youngest generation of the Filipino literary audience? How does this affect the Filipino writer?
Panelists: Christine Bellen, Jean Lee Patindol
Moderator: Tara FT Sering
Venue: Kolektib 1
THE STORY OF OUR LIVES. Short story writers and novelists discuss the concerns of today’s fictionist—from language and style to themes and subject matter. Also to be discussed: getting published internationally, and the problem and the burden of writing long-form work.
Panelists: Vincente Groyon III, Arifah Jamil, Luis Katigbak, Januar Yap, Alvin B. Yapan
Moderators: Genevieve Asenjo, John Bengan
Venue: Kolektib 2
6:30PM | PLENARY: DEAR NCCA. What can the NCCA do for the younger or emerging writer? This discussion hopes to come up with a wishlist for the NCCA, covering specific measures of support for the Filipino writer.
Moderators: Angelo R. Lacuesta, Joel Toledo
Venue: Mogwai
8:00PM | CLOSING CEREMONIES
• Address, National Artist Virgilio S. Almario
• NCCA Resolutions
• Response and Closing Address, Ricardo de Ungria
FELLOWSHIP
University of the Philippines Diliman (Feb 11)
Ateneo de Manila University (Feb 12)
Cubao Expo (Feb 13)
DAY 1 | FEBRUARY 11, WEDNESDAY
University of the Philippines
Diliman, Quezon City
9:00AM | OPENING PROGRAM
Venue: Pulungang Claro M. Recto, Bulwagang Rizal
Welcome Remarks
• UP Diliman Chancellor Sergio S. Cao
• NCCA Chair Vilma L. Labrador
• Festival Director Ricardo M. de Ungria
• Festival Coordinator Jose Y. Dalisay, Jr.
PHILIPPINE LITERATURE TODAY. The keynote address, a synoptic overview of where we’ve been and where we are, taking into account our literature in Filipino, English, and the regional languages; Philippine literature in the 21st century; and Philippine literature in the Asian and global context. To be delivered by National Artist Francisco Sionil Jose.
Venue: Pulungang Claro M. Recto, Bulwagang Rizal, UPD
9:45AM | A TRIBUTE TO EDITH TIEMPO. The tribute to National Artist Edith L. Tiempo is a short poetry reading by Merlie Alunan, Dinah Roma, and Ronald Baytan, who all attended the Dumaguete National Workshop and have been influenced by Tiempo’s poetics. To date, Edith Tiempo is the sole woman National Artist for Literature.
Moderator: Marjorie Evasco
Venue: Pulungang Claro M. Recto, Bulwagang Rizal, UPD
10:30AM | GANITO KAMI NOON: WRITING THROUGH THE DECADES. A plenary panel discussion to set the tone for all other panel discussions. A representative each from the 50s, 60s, 70s, 80s, and 90s can talk about the conditions for writing and publishing in their eras and how things have changed, or maybe not. And where do we go from here?
Panelists: Elmer Ordonez (1950s), National Artist Virgilio S. Almario (1960s), José Pete Lacaba (1970s), Marjorie Evasco (1980s), Angelo Lacuesta (1990s)
Moderator: José Y. Dalisay, Jr.
Pulungang Claro M. Recto, Bulwagang Rizal, UPD
1:30PM | ICONS OF THE NEW CENTURY: WRITERS WHOM WRITERS READ. Who are you reading and why? Who's your literary daddy (or mommy)? A discussion of literary influences and how they are shaping contemporary Philippine literature.
Panelists: Rebecca Añonuevo, Franklin Cimatu, Carlos Cortes, Francis Macansantos, Katrina Tuvera
Moderator: Gémino H. Abad
Venue: CAL New Building (CNB), Room 508
WRITING FOR A LIVING. What's writing like as a profession in the Philippines? What writing jobs pay, and how can writers get them? How should writers deal with writing commissions? What about copyrights and contracts? How do we break into the global market and find and deal with agents?
Panelists: Vietnamese writer Nguyen Bao Chan, Tony Enriquez, Kragi Garcia, Luis Katigbak, Charlson Ong, Alfred Yuson
Moderator: José Y. Dalisay, Jr.
Venue: CAL-AVR, 2/F Bulwagang Rizal, UPD
THE CREATIVE WRITING CLASSROOM. The teaching of creative writing, for the teachers among us: challenges, strategies, approaches, tips and tricks in the creative writing classroom.
Penelists: Merlie Alunan, Conchitina Cruz, Jun Cruz Reyes, Macario Tiu, Ricardo de Ungria
Moderator: Cristina Pantoja Hidalgo
Venue: CNB Inquirer Room 201
WORKSHOPPING THE WORKSHOP, ORGANIZING WRITERS. A review of the Dumaguete, Baguio, and Iligan workshops, plus maybe the biggest school-based ones, and how they grew. A sharing of best practices, as well as a discussion of common problems and situations. This panel can also deal with writers’ organizations, centers, institutes, and programs.
Panelists: Vicente Groyon III, Christine Godinez-Ortega, V.E. Carmelo D. Nadera Jr., Benilda Santos, Anthony Tan
Moderator: Lito Zulueta
Venue: CNB Rm 309
3:30 PM | WRITING OFF-CENTER: THE REGIONAL EXPERIENCE. How goes creative writing and literary publishing outside of Metro Manila? Have new centers of literary activity emerged, and what are the keys to their success? What does it take to promote writing from the regions to broader audiences?
Panelists: John Bengan, Jose Jason Chancoco, Rey Duque, David Genotiva, Alice Tan-Gonzales
Moderator: Ricardo de Ungria
Venue: CNB Inquirer Room 201
ATBP: WRITING OFF THE MAINSTREAM. Gay/lesbian literature, chick lit, "spec fic", Chinoy lit , and all that jazz. What alternatives exist to straight, realist, mainstream lit? Is this kind of "pigeonholing" good or bad—or, when is it good, and when is it bad?
Panelists: Dean Francis Alfar, Jhoanna Cruz, J. Neil C. Garcia, Jaime An Lim, Tara FT. Sering
Moderator: Danton Remoto
Venue: CNB Room 309
FILIPINO-NESS IN THE GLOBAL AGE. A perennial hot topic in the blogosphere. How can "Filipino-ness" be defined? Is it an absolute necessity in this age of globalization? Is "nation" even a relevant concept? How can this be manifested in a literary work? Why don’t we seem to see enough of such central elements of Filipino life as crime, sex, and humor in our literature, or is that only in English?
Panelists: Efren Abueg, Leoncio Deriada, Cristina Pantoja Hidalgo, Resil Mojares, Timothy Montes
Moderator: Isagani R. Cruz
Venue: CAL-AVR
DAY 2, FEBRUARY 12, THURSDAY
Ateneo de Manila University
Katipunan Avenue, Loyola Heights, Quezon City
9:00AM | PLENARY
Venue: Leong Hall Auditorium
Program
• Opening Remarks, Prof. Ricardo de Ungria, Commissioner for the Arts, NCCA
• Welcome Address, Dr. Ma. Luz Vilches, Dean of the School of Humanities
• Message, Dr. Antonette Palma-Angeles, Academic Vice-President, AdMU
• A Concise History of 150 Years of Ateneo Writing
• Open Forum
• Tribute Proper
• Screen Presentation on Emmanuel S. Torres and Reading of Citation
• Screen Presentation on Gregorio C. Brillantes and Reading of Citation
• Response of the Honorees
• Closing Remarks, Dr. Ma. Luisa Torres Reyes, Chair, Dept. of English
1:00PM |ATENEO GALLERY AND LIBRARY TOUR
2:00PM | PARALLEL SESSIONS
THE POET-CRITIC. The issue of how art and criticism interface has been a central topic even in the creative writing curricula of top universities worldwide. Whether our writers have found the interface uneasy or comfortable, consciously or unconsciously, it has shaped the craft and aesthetics of generations of authors in the Philippines.
Panelists: Gemino H. Abad, Exie Abola, J. Neil Garcia, Allan Popa, Jun Cruz Reyes, and Thai fictionist/screenwriter Prabda Yoon
Moderator: D(anilo) Francisco (M) Reyes
Venue: Social Science Conference Rooms 1 & 2
TEXT AND CONTEXT. The encounter between art and politics, writing and ideology, or aesthetics and social engagement, has been a significant consideration in countries like the Philippines as it has been said to make for bad writing and good politics/bad politics and good writing. Thus, these binary categories have been considered mutually exclusive practices by some writers, but deemed mutually constitutive commitments by writers.
Panelists: Isagani R. Cruz, National Artist Bienvenido Lumbera, Danton Remoto, Roland Tolentino
Moderator: Oscar Campomanes
Venue: Social Science Conference Rooms 3 & 4
PUBLISHING FOR THE FUTURE. No literature can prosper without publishing, but publishing itself is taking on new forms and challenges in this new century, such as online publishing and print on demand. What directions will Philippine literary publishing and Philippine literature itself take in the foreseeable future? What can the Philippine academic and commercial publishers do to promote literature here and abroad? Are there alternatives to mainstream publishing that can be explored, and can they be commercially viable?
Panelists: Karina Bolasco, Adam David, Antonio Hidalgo, Esther Pacheco
Moderator: Maricor Baytion
Venue: NGF Conference Rm, G/F De La Costa Hall
4:00PM | PARALLEL SESSIONS
FEMINISM IN OUR MIDST. The question of how women writers write under conditions quite distinct from men writers has been a source of dynamism and controversy in both their works and the criticism on their work. This has been a point of contention in recent literary history as some women writers organize themselves as women writers, weaving literature and sharing life.
Panelists: Rica Bolipata-Santos, Cristina Pantoja Hidalgo, Priscilla Macansantos, Aida F. Santos, Dinah Roma-Sianturi, Hope Yu
Moderator: Benilda Santos
Venue: Social Science Conference Rooms 1 & 2
LITERATURE IN ACTION. Non-canonical texts abound in contexts like the Philippines in which literature’s energies come from places quite apart from "Literature." Foremost among this type of literary production is the whole range of performative practices which create cultural "events" as opposed to literary "art." Most prominent examples of this range from avant-garde forms to so-called "agit-prop" art in which visual and/or performance artists and educational and community theater groups like PETA have been making a splash in the international art and academic scene since the 80s and 90s.
Panelists: Michael Coroza, Steven Patrick Fernandez, Servando Halili, Bonifacio Ilagan, Glenn Mas
Moderator: Gary Devilles
Venue: Social Science Conference Rooms 3 & 4
CHILDREN’S LITERATURE. In the Philippines, it has been said that the reading fare of Filipino children continues to be dominated by children’s literature from the West, as evidenced by the children's books usually on display in major book shops. Nevertheless, it can be argued that for decades now, significant headway has been made in providing alternative reading materials for Filipino children by publishing houses like Aklat Adarna and noted Filipino authors and published locally in English, Filipino and other Philippine languages. What genres have been developed in children’s literature by Filipinos? Are these genres a mere imitation of the western models? Has the production been enough to begin to draw up a canon of children’s literature in the Philippines? What has been the impact of children's literature on the readers? What role must children's literature play in the Philippines?
Panelists: Cyan Abad-Jugo, Christine Bellen, Jean Lee Patindol, Ramon V. Sunico
Moderator: Jerry Respeto
Venue: NGF Conference Room, G/F De La Costa Hall
5:00PM | DINNER
Venue: Leong Hall Roof Deck
• Closing Remarks, Dr. Assunta Cuyegkeng, Vice President, Ateneo de Manila Univeristy-Loyola Schools
DAY 3, FEBRUARY 13, FRIDAY
Cubao X, Araneta Center, Cubao, Quezon City
9:30AM | PLENARY
Venue: Cubao X
Hosts: Angelo R. Lacuesta, Festival Coordinator; Joel Toledo, Festival Assistant Coordinator
10:00PM | PARALLEL SESSIONS
HOME, ROAM, AND AWAY. Publishing locally versus publishing abroad. How does place of publication—or place of writing—affect or define your audience, or your career or your work? This should also function as a guide for those who seek international publication: what are the challenges and what are the chances?
Panelists: Vicente G. Groyon III, Mookie Katigbak
Moderator: Lourd Ernest De Veyra
Venue: Mogwai 2
THE END OF PRINT. Web-based publishing, traditional print publishing, and print-on-demand: the meaning of publication has multiplied so much these days. Has the meaning of quality, or rigor, or intent changed as well? How has this affected today’s writer? Has he (or must he) achieve convergence, or should there be dividing lines?
Panelists: Roberto Añonuevo, Adam David, Jean Claire Dy, Luis Katigbak, Edgar Samar
Moderator: Dean Francis Alfar
Venue: Pablo
WRITE TO LIFE. Writing to live, or living to write? Many literary writers have commercial writing careers—but what about other lines of work? And what of the lines that divide work and writing? This discussion covers all sorts of jobs writers must take—and the amount of confrontation and compromise writers must endure. It will also cover tips and tricks to avoid burnout and “multitasking hell.”
Panelists: Josua Cabrera, Dominique Cimafranca, Mikael de Lara Co, Ramil Gulle, Victor Dennis T. Nierva
Moderator: Frank Cimatu
Venue: Kolektib 1
LINGO NG WIKA. Language and authenticity in Philippine literary practice—it’s an old argument. So should we be done with it, then? Or shouldn’t we? (This conversation covers all Filipino languages.)
Panelists: Genevieve Asenjo, John Barrios, Jaime Jesus Borlagdan, Jose Jason Changcoco, Jason Laxamana, Glen Mas, Voltaire Oyzon, John Iremil Teodoro
Moderator: Rica Bolipata-Santos
Venue: Kolektib 2
GLOBAL WARMING. A plenary discussion over lunch featuring Asian and Filipino writers who have gone “global.” Our international panelists will discuss the challenges and rewards of writing in their local language and still achieving international recognition and popularity. The panel will also discuss practical tips on international grants, fellowships and exchange programs.
Panelists: Nguyan Bao Chan, Conchitina Cruz, Dinah Roma-Sianturi, Prabda Yoon
Moderator: Angelo R. Lacuesta
2:00PM | PARALLEL SESSIONS
PURO FORMA. The formal versus the experimental in poetry—is there a conflict? Young poets discuss the issues (and, inevitably, the non-issues) that abound.
Panelists: Michael Coroza, Conchitina Cruz, J. Neil C. Garcia, Mookie Katigbak, Angelo Suarez
Moderator: Allan Popa
Venue: Mogwai 2
MOVING UP IN THE WORD. Building the literary career—does it still have the same requirements as ten years ago, or are there new ways to get that break? Is the PalancaTM Award still the quickest path to writerhood? Or is that old-school thinking? What’s a literary career anyway?
Panelists: Efmer Agustin, Janice Bagawi, Arifah Jamil, Junley Lazaga, Leonila Lopido, Monica Macansantos, Harold Mercurio
Moderator: Mikael Co
Venue: Pablo
FICTIONAL SHOWDOWN. This is a friendly showdown between the realms speculative fiction and “non-speculative” fiction—its advocates, practitioners and its subject matter. Also up for discussion: attempted definitions, blurred boundaries and common goals.
Panelists: Dean Francis Alfar, Adam David, Jonathan J. Siason, Alvin B. Yapan, Prabda Yoon
Moderator: Ian Casocot
Venue: Kolektib 1
4:00PM | PARALLEL SESSIONS
ALL ABOUT MY OTHER. The I versus “otherness” in poetry: how do they figure in your work? Insights, questions, problems and answers on this mind-boggling topic.
Panelists: Ronald Baytan, Kristian S. Cordero, Conchitina Cruz, Larry Ypil
Moderators: Carlomar Daoana, Dinah Roma-Sianturi
Venue: Mogwai 2
UNSCRIPTED. Playwrights, screenwriters and writers in general discuss the difficulties of writing for the stage and screen—from the issue (or non-issue) of language and the challenges of the craft, to the long road to production and the burden of having to win the audience.
Panelists: Jhoanna Cruz, Glen Mas, John Iremil Teodoro
Moderator: Jun Lana
Venue: Pablo
THE YOUNG AND THE LITLESS. Is the Filipino youth worth writing for? In the age of the Internet and digital home entertainment, Filipino children and young adults have so much to see, hear and read—without having to open a book. How does this affect the youngest generation of the Filipino literary audience? How does this affect the Filipino writer?
Panelists: Christine Bellen, Jean Lee Patindol
Moderator: Tara FT Sering
Venue: Kolektib 1
THE STORY OF OUR LIVES. Short story writers and novelists discuss the concerns of today’s fictionist—from language and style to themes and subject matter. Also to be discussed: getting published internationally, and the problem and the burden of writing long-form work.
Panelists: Vincente Groyon III, Arifah Jamil, Luis Katigbak, Januar Yap, Alvin B. Yapan
Moderators: Genevieve Asenjo, John Bengan
Venue: Kolektib 2
6:30PM | PLENARY: DEAR NCCA. What can the NCCA do for the younger or emerging writer? This discussion hopes to come up with a wishlist for the NCCA, covering specific measures of support for the Filipino writer.
Moderators: Angelo R. Lacuesta, Joel Toledo
Venue: Mogwai
8:00PM | CLOSING CEREMONIES
• Address, National Artist Virgilio S. Almario
• NCCA Resolutions
• Response and Closing Address, Ricardo de Ungria
FELLOWSHIP
Comments